The working methods of qīqíqǐqì grow from an ongoing exploration of materials and processes. The works often begin in an experimental state: kneading, wrapping and compressing paper and fabric, then binding the forms with multiple layers of natural lacquer, allowing the softness of fibres and the strength of lacquer to interlace and set.
The making process emphasises bodily experience
and manual intuition. Each work unfolds without a predetermined outcome, shaped by touch, pressure and the material’s own resistance. Forms emerge through repeated handling, yet open to chance, interruption and change.
We have tested varying proportions of natural lacquer on different types of paper and fabric, observing differences in absorbency, hardening behaviour, and surface texture.
Through these experiments, we explore the limits and potential of materials under the influence of lacquer, seeking new ways for fibres and lacquer to interact, and laying a foundation for future creation and functional applications.
qīqíqǐqǐ’s writing and publishing practice revolves around natural lacquer, documenting and reflecting on our work through multiple perspectives. It brings together making narratives, artists’ journals, material experiments, and critical reflections on cultural roots and craft orthodoxy.
A comprehensive publication on natural lacquer is currently in preparation and is scheduled for release in 2026.
