Journey of Tapping Lacquer Trees
By qīqíqǐqì · June, 2024
It is still early June, just the beginning of the lacquer-tapping season. Every household is busy with preparations before the work begins. I was fortunate enough to take part in the mountain-opening ritual, known as the first cut (fàng shuǐ).
This involves a series of detailed tasks, such as sharpening the lacquer knife, hammering in lacquer nails, scraping the bark, and making the first incision to release the bitter water.
From books and documentaries I was already familiar with the tapping process itself, but the preparations beforehand are rarely described in detail. That is why, when I learned I could participate in this stage, I felt truly excited.
Let me describe the process in detail. First of all, many tools are needed.
· A curved machete is used to cut away weeds and branches blocking the path. The road is nothing more than wild mountain tracks, hard to walk on, sometimes with snakes or thorny plants along the way.
· Long iron lacquer nails are hammered into the tree, serving as steps to climb. They are hard and sharp, so you have to be careful not to scratch your skin or tear your trousers.
· A hammer is used to drive the nails deep into the trunk, so that one can steadily step on them while climbing. The distance between two nails is about the length from the sole of the foot to the knee. When climbing, you must hold on tightly to the tree with both arms.
· A slightly curved scraper is used to peel away the bark. It does not need to be too sharp, just sharp enough to shave off arm hair is considered sufficient.
· Then comes the specialised lacquer knife, designed with a unique shape so that it can rest in the crook of the hand while climbing, leaving the fingers free to grip the tree. The knife is made in different sizes according to the hand of the user. With it, a small lacquer tapping incision is cut in the shape of a V.
· A woven bamboo basket is carried on the back, filled with all the necessary tools.
· Small plastic sheets shaped like leaves are folded, almost like wrapping a rice dumpling, into tiny triangular containers to catch the raw lacquer sap.
· Proper clothing is also essential. Long sleeves, long trousers, and hiking shoes are required. The calves must be wrapped tightly with two to three metres of cloth, since this is the most vulnerable part of the body. On mountain paths there may be snakes, and when climbing trees hornets can attack. If a hornet stings the calf, there is a real risk of falling from the tree. This cloth protects the legs.
· There is also a thick protective sleeve worn on the arms, serving the same purpose.
· Gloves are highly recommended, ideally the cut-resistant type used in carpentry. Nails and axes are sharp and can easily injure the hands. Since climbing also requires direct contact with the trunk, gloves make it safer to press firmly against the bark without fear of abrasion.
Today was the first time this year we went into the mountains to tap lacquer, so the preparations were even more meticulous.
Vincent first spent quite a while in the courtyard and the workshop gathering all the tools. Then he sharpened them with sandpaper, whetstones, and a polishing machine. The scraper used for peeling bark does not need to be very sharp; it should feel slightly rough to the touch. The lacquer knife, however, must be polished carefully with both the machine and leather, to make sure the blade is sharp enough.
We began climbing the mountain. It was truly wild, nothing like the trails I had hiked before, and it looked more dangerous than I had imagined. The path could hardly be called a path at all, overgrown with weeds and plants of every kind. After a whole winter and spring without anyone coming up here, of course the vegetation had claimed all the ground for itself.
Dian carried a bucket weighing nearly fifteen kilos, filled with lacquer nails. I held two heavy curved machetes and a hammer, while Vincent led the way with a basket on his back packed with other tools.
The first lacquer tree was some distance away, standing on a slope. From afar we could only watch Vincent working below, hearing the sounds instead of seeing the details. Ding ding ding as he hammered the nails, then kua kua kua as he scraped at the bark. Between the sounds came his muttering: “No lacquer here… ah, there it is… just a little is flowing out.”
From where we stood we could only pass him the axe or machete when needed, without being able to see clearly what he was doing.
At the second tree the nails had already been set, so it was possible to climb straight up and scrape away the bark. I realised that this stage, before the raw lacquer sap can really be harvested, is actually the hardest. You must first hammer in the nails, scrape the bark, and open small lacquer tapping incisions. Only later, when we return, can these incisions be gradually deepened to draw out the lacquer.
The third lacquer tree stood right before us. I felt excited. The sound of hammering nails echoed rhythmically through the forest ding ding ding while the leaves rustled softly and, in the distance, a bamboo rat scurried away with a faint pattering sound.
This was the moment of fàng shuǐ, the first cut of the season, the preparation before formal tapping. The incision had to be made a little distance from last year’s old scars. Vincent began to scrape away the bark with the curved knife kua kua kua and strips of bark fell to the ground. If the inner layer revealed tiny dark red spots, that was a sign of lacquer, and good lacquer at that.
Once the bark was scraped, a small V-shaped lacquer tapping incision could be made. From it trickled a clear liquid. Vincent said this was bitter water, and told me I could taste it, though it was strong and could cause allergies. I could not resist. I touched a little with my fingertip and tasted it. Instantly, an incredibly fresh fragrance spread through my mouth. It was unforgettable, unlike anything else, and I understood why it was once used in medicine. Some even say raw lacquer sap can be eaten directly. I found it strangely addictive.
This tree took about five lacquer nails and five incisions, starting from the bottom and working upwards. Vincent said the upper trunk was too thin for him to continue, though some lacquer farmers still climb that high. Traditionally they used wooden nails, hammered in with great force and at a wide angle. Vincent explained that he could not manage that, which is why he invented new metal nails instead.
At the fourth tree, Vincent told me to try climbing myself. He chose a slightly smaller tree, right in front of me.
He began the same process again, hammering in the lacquer nails and scraping the bark. I recorded many of the sounds of his work; they were beautiful to hear. He pointed out a long hornet above us, but assured me it was not poisonous and not dangerous.
I tied the bottoms of my trousers with rubber bands and quickly started climbing. With the help of the nails, it felt steady and easy to climb, almost effortless. I even thought to myself that maybe next time I could come and tap lacquer on my own.
Up in the tree, I looked around from the height, surrounded by layers upon layers of leaves. I found a fresh lacquer tapping incision that Vincent had just cut, and once again I could not resist tasting the bitter water. It was still so light and sweet, an addictive flavour that lingered.
And then I climbed back down.
The mountain path was hard to walk, and the tools were heavy, though fortunately we did not have to go far. I was on my period and worried that tiny insects in the forest might be drawn to the smell of blood, but luckily nothing happened. We made it through safely without even seeing a snake.
We did not go very deep into the forest, but lacquer farmers usually walk nearly two hours into the mountains. Each tapping session lasts about five hours. Vincent said he prefers to work from midnight until five in the morning, while many farmers sleep until three or four and then start tapping until late morning. A single tree can bear hundreds of lacquer tapping incisions, and in one day it is possible to collect up to eight jin of raw lacquer sap.
Even after less than an hour, I could already feel the hardship of lacquer tapping. It made me realise that from now on, I will treat every single gram of lacquer with deep respect.
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上山割漆记
文/漆奇岂器
06/2024
现在还是六月初,刚刚到采漆的时间,各家各户还在做着割漆前准备工作。
我很幸运的参与了开山仪式,也就是每一年的“第一刀”。 涵盖了一系列的繁琐工作、比如磨刀、打钉子、刮树皮,割第一刀放苦水等。 在书里、纪录片里早就对割漆的过程烂熟于心,然而很少有详细记录割漆前的准备工作。所以当我知道可以参与这个过程的时候,整个人都非常的兴奋。
来说一下详细的流程吧,首先是,需要用的工具有很多。
一把弯刀,用来砍除路上的野草、拦路的树枝等。路是未被开发的野山和野路,走起来非常困难,可能会有蛇或者带刺的植物出没。
一些长长的铁钉子,钉在树上,当作爬树的楼梯,很危险很硬,需要小心不要被钉子刮伤皮肤或者挂到裤子。
一把锤子,用来敲钉子,让钉子进入树干,很深很深,这样人就可以踩着钉子稳稳的往树上爬。两个钉子之间的距离大概是脚掌到膝盖的距离。爬树的时候需要抱着树。
一把向内弯的刨刀,用来刮树皮。不用太锋利,试试看能挂掉手毛的那种程度就差不多了。
一个割漆专用漆刀,特殊形状的,这样爬树的时候可以卡在虎口就可以腾出手抓树,根据人手的大小可以有制作的尺寸。 切割的时候是一个v字型的小伤口。
一个竹编的篮子,背在身上装着必须的工具。
一些叶子形状的小塑料片,用来像折粽子一样的手法对折,做出一个小三角的容器,来接住漆液。
一套合适的服装,这很重要。长袖、长裤,徒步鞋。裤子的小腿处需要用2-3米长的布绕圈捆住,因为小腿是最重要的部分,走山路的时候可能会被蛇咬,爬到树上有时候会有马蜂,如果马蜂咬了小腿,人很有可能从树上摔下来。 这块布就是用来保护小腿的。
还有一个类似袖套的厚重的布料穿在手臂上,也是保护作用。
最好是带手套,木工专用的放割手套,因为钉子和斧子容易划伤手,很锋利。爬树的时候也需要摸着树,带着手套可以更直接和大胆的接触树皮,不怕摩擦。
今天算是今年第一次进山割漆,所以准备工作会更加繁琐,
Vincent先是在大院和工作室里找了很久的工具,然后用砂纸、磨刀石、抛光机等工具磨刀。刮树皮的刨刀不需要特别锋利,摸起来涩涩的。漆刀还需要用到抛光机和牛皮抛光,确保锋利。
开始上山了,真的很野的山,平时徒步都没去过这种,比我想象中看起来危险一点。几乎是走过就能忘记的不能叫做路的路,被各种各样的杂草、植物横穿霸道,想想如果一个冬天和春天都没人上山的话,它们自然是要占据所有的领地。
司典带着一桶几乎有15kg的钉子,我拿着两把重重的弯刀和锤子,文森背着篮子装着一些其他的工具,在前面开路。
第一颗漆树离的有点远,在一个下坡上,我们远远的只能文森在下面操作,传来不同的声音。 dingdingding,打完钉子,kuakuakua,开始刮起了树皮,文森碎碎念“没得漆‘, ’哎呀,有了!‘, ’流了一点出来‘。
在远处的我们只能递一下斧子、弯刀,然后看不到细节。
第二颗树钉子已经打好了,直接爬上去就能刮树皮了。原来漆液还未开始正式可以获取的阶段(就是现在)其实是最难的阶段,要打钉子、刮树皮、开好小口,日后再来的时候,就是在小口的基础上逐渐加深口子,然后取漆。
第三颗漆树就在眼前,我很激动,打钉子的声音很好听,有节奏的dingdingding,森林里树叶沙沙沙,远处还有一个毛鼠,跑动的声音。
割漆放水,是每年正式开始割漆的准备工作,需要与去年的旧口子割开一点距离,然后开始用弯弯的那个刀割树皮,kuakuakua,树皮往下掉,如果里面的皮是夹杂着暗红色的小点,就说明有漆,有好漆。刮完树皮就可以开一个小小的v型口了,流出来一些透透的液体,文森说是苦水,说我可以尝尝。还说很猛,会过敏。我忍不住,用手指头点了一点,尝了一下,天呐,超级超级超级清香一瞬间弥漫开,真的感觉非常非常特别的味道,根本忘不掉。难怪古人用来做药,也有人说生漆可以直接吃。我感觉很上瘾。
这棵树大概打了5颗钉子割了5个口子,从最底下开始就能割,一直到上面。文森说上面的树干太细了他不去了,但有些漆农会去。漆农用的钉子是木钉子,需要用特别大的力气和弧度砸进树里,他不可以,所以发明了新的钉子,是金属的。
第四颗树,文森说找一棵树让我爬上去。就找了一个更小一些的树。
也就在我眼前。文森开始了一样的流程,打钉子,刮树皮,我录了很多工作的声音,很好听。他说上面有一个长长的马蜂,但是没有毒,不厉害。
我用皮筋绑住裤腿,蹭蹭蹭的就往上爬。 有钉子的帮助,能感觉到非常稳,非常好爬,毫不费力,甚至觉得我自己下次都能来割漆了。爬到树上后,看了看周边,高高的,很多很多叶子交错着,我找了一个他刚割开的口子,又忍不住尝了一下苦水 ,依然是非常清甜的味道,真的会上瘾。
然后我就下树啦。
山路很难走,东西很重,但好在我们走得不远。我来了月经,好怕山里的小虫闻着我的血味就冲过来了,但是还好,一路有惊无险,也没有遇到蛇。
我们没有去很深的地方,但是漆农平时要进去几乎两小时深的山路,一割就是5小时,文森说他喜欢半夜12点割漆到5点,漆农一半是睡到三四点起来,割到上午。一颗树可以有几百个漆口,一天最多可以割到8斤。仅仅不到一小时我就能感觉到割漆的辛苦了,真的感觉以后都会好好对待每一克漆。









